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If I had a hammer, I'd hammer in the morning,
I'd hammer in the evening, all over this land.
I'd hammer out danger, I'd hammer out warning,
I'd hammer out love between my brothers and my sisters
Oh, oh, all over this land.
If I had a bell, I'd ring it in the morning,
I'd ring it in the evening, all over this land.
I'd ring out danger, I'd ring out warning,
I'd ring out love between my brothers and my sisters
Oh, oh, all over this land.
I'd hammer in the evening, all over this land.
I'd hammer out danger, I'd hammer out warning,
I'd hammer out love between my brothers and my sisters
Oh, oh, all over this land.
If I had a bell, I'd ring it in the morning,
I'd ring it in the evening, all over this land.
I'd ring out danger, I'd ring out warning,
I'd ring out love between my brothers and my sisters
Oh, oh, all over this land.
So go the first two stanzas of Lee Hays and Pete Seeger's folk tune, "If I had a hammer," one of the most famous tunes and lyrics in the history of American song. The grammar of the lyrics uses what is called the conditional. The writer expresses an action or an idea (hammering out danger and warning and love) that is dependent on a condition, on something that is only imagined (having a hammer or a bell — or, in the next stanza, a song). In this situation, the lyricist imagines what he would do if he "had a hammer" — now, in the present. He might also have imagined what he would have done if he "had had a hammer," in the past, prior to something else happening:
Source: http://grammar.ccc.commnet.edu/grammar/conditional.htm
- "If I had had a hammer, I would have hammered a warning."
- "If I have a hammer tomorrow, I might hammer out warning.
OR
. . . I will hammer out warning."
OR
"If I were to have a hammer tomorrow, I would hammer out warning."
- "If/when I have a hammer, I hammer out warning." [I do it all the time, whenever I have a hammer.]
Source: http://grammar.ccc.commnet.edu/grammar/conditional.htm