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It happened to me many years ago to endanger the course of my humble career at sea simply by writing the letter W instead of the letter E at the bottom of a page full of figures. It was an examination and I ought to have been plucked mercilessly. But in consideration, I believe, of all my other answers being correct, I was handed that azimuth paper back by the examiner's assistant, with the calm remark, "You have fourteen minutes yet." I looked at the face of the clock; it was round like the moon, white as a ghost, unfeeling, idiotic. I sat down under it with the conviction of the crushing materiality of time, and calling in my mind the assistant examiner a sarcastic brute. For no man could have gone over all those figures in fourteen minutes. I
hope my exasperated consternation at this check could not be detected. It was funny even to myself. Then, just at the moment when my sinking heart had touched bottom, I saw the error staring at me, enormous, gross, palpable. I traced hastily a capital E over the W, and went back to the desk with my sheet of blue paper in a still shaky hand. The assistant hardly glanced at it before he let it drop, and I saw then that in my lack of comprehension it was I who had been an unqualified brute. For in his remark about the fourteen minutes he had clearly tried to give me a hint. He was a charming young man, obviously poor, with an intelligent, as if suffering, face. Not exactly sickly but delicate. A sea voyage would have done him good. But it was I who went to sea--this time bound to Calcutta.
And it was in Calcutta, a few months afterwards, that one morning my captain on going ashore saw me busy about the decks and beckoned to me in that way ship-masters have, or used to have. I mean ship-masters who commanded their ships from truck to keelson as it were, technically and spiritually, in motion and at rest, and through every moment of their life, when the seaman's calling was by the mere force of its conditions more vocational than it can be at the present day. My ship-master had that way of beckoning. What way? Well--all I can say of it is that one dropped everything. I can't describe it better. So I dropped whatever I was doing and he said: "You will find a Notice on the captain table. Go in and enter it on the proper Admiralty sheet. Do it now." Which I hastened to do.
That examination, the issue of which had hung on a capital letter, had caused me to be officially certified as fit to undertake that particular duty; and ever since then my familiarity with Notices to Mariners, which are not literature, went on growing through a course of years, up to the moment when stepping ashore for the last time I lost all touch with the most trusted kind of printed prose. Henceforth I had to begin (while totally unprovided with Notices to Authors) to write prose myself; and the pains I took with it only my Maker knows! And yet I never learned to trust it. I can't trust it to this day. We who write prose which is not that of the Notices to Mariners are forgotten by Providence. No angel watches us at our toil. A dreadful doubt hangs over the whole achievement of literature; I mean that of its greatest and its humblest men. Wasn't it "Papa Augier" who, being given a copy of Hamlet, glanced through it expertly and then dropped it with the dry remark."Vouse appelez ça une pièce, vous?" ["You call that a play?"] The whole tragedy of art lies in the nut-shell of this terrifying anecdote. But it never will occur to anybody to question the prosaic force of the author of Notices to Mariners, which are not literature, and his fidelity to his honourable ideal--the ideal of perfect accuracy.
"Outside Literature" by Joseph Conrad originally appeared in the Manchester Guardian (December 4, 1922) and was reprinted in Last Essays (1926).
Source: http://grammar.about.com/od/essaysonstyle/a/outsideliteraturestyle_2.htm
And it was in Calcutta, a few months afterwards, that one morning my captain on going ashore saw me busy about the decks and beckoned to me in that way ship-masters have, or used to have. I mean ship-masters who commanded their ships from truck to keelson as it were, technically and spiritually, in motion and at rest, and through every moment of their life, when the seaman's calling was by the mere force of its conditions more vocational than it can be at the present day. My ship-master had that way of beckoning. What way? Well--all I can say of it is that one dropped everything. I can't describe it better. So I dropped whatever I was doing and he said: "You will find a Notice on the captain table. Go in and enter it on the proper Admiralty sheet. Do it now." Which I hastened to do.
That examination, the issue of which had hung on a capital letter, had caused me to be officially certified as fit to undertake that particular duty; and ever since then my familiarity with Notices to Mariners, which are not literature, went on growing through a course of years, up to the moment when stepping ashore for the last time I lost all touch with the most trusted kind of printed prose. Henceforth I had to begin (while totally unprovided with Notices to Authors) to write prose myself; and the pains I took with it only my Maker knows! And yet I never learned to trust it. I can't trust it to this day. We who write prose which is not that of the Notices to Mariners are forgotten by Providence. No angel watches us at our toil. A dreadful doubt hangs over the whole achievement of literature; I mean that of its greatest and its humblest men. Wasn't it "Papa Augier" who, being given a copy of Hamlet, glanced through it expertly and then dropped it with the dry remark."Vouse appelez ça une pièce, vous?" ["You call that a play?"] The whole tragedy of art lies in the nut-shell of this terrifying anecdote. But it never will occur to anybody to question the prosaic force of the author of Notices to Mariners, which are not literature, and his fidelity to his honourable ideal--the ideal of perfect accuracy.
"Outside Literature" by Joseph Conrad originally appeared in the Manchester Guardian (December 4, 1922) and was reprinted in Last Essays (1926).
Source: http://grammar.about.com/od/essaysonstyle/a/outsideliteraturestyle_2.htm